A new Merten organ for the Gnadenkirche
Wachtberg – Pech near Bonn

The first step was to design an organ which is suitable to the small and closely church. 4 different concepts, 3 of them with only few modifications, were shown to the presbytery. One concept was remarkable because of its strict sand symmetric lines. At the first sight, you got the impression that the roof slopes did not have a relation to the body, although the cupola had been designed in the same angle. The towers, mirrored and placed in different altitude, give the impression of a "breakup" of the lines, and the eye of the viewer turns from one side to the other. So the whole body seems to be slight and slender although it is similar
to the other designs.
 
The attentive observer will remark the relation to our organ in Alfter-Wittschlick. This analogy is accidental, because the presbytery has chosen this design. The organ in Pech only has a mechanic action for the playing and the register action. The playing action has been built as hanging action with single-armed keys. This means that the keys at the manual keyboard are hanged at the valves of the windchest.
 
By this you achieve a direct relation between valves and key and this produces an accurate, sensible art to play the organ. By fixing the tracker with the console and the bar bottom and applying a clamping advice fort he angle beams the tracker will regulate itself, if there are changes in distance.
 
To take the playing organists out off the routes of the christians coming to church, we built an organ which is played from the side (as many organs in the 19th century have been built). These organs have their stop knobs above the music board. We designed the register control in the same style, but with the exception that each stop knob has 3 positions. The position in the middle = off, the attracted position is for the 1st manual and the pressed position for the 2nd manual.

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We worked the following dispositon out with Mr. Hans-Peter Glimpf:
I. Manual II. Manual Pedal
Prinzipal 8'   Subbass 16'
Salicional 8' *Salicional 8' (Gedackt 8')
Vox coelestis 8' *Vox coelestis 8'  
Bordun 8' *Bordun 8'  
Octave 4' *Octave 4'  
Rohrflöte 4' *Rohrflöte 4'  
Quinte 2 2/3' *Quinte 2 2/3'  
Doublette 2' *Doublette 2'  
Terz 1 3/5' *Terz 1 3/5'  
Mixtur 3-4 f. *Mixtur 3-4 f.  
Oboe 8' *Oboe 8'  
  Tremulant  

Tonumfang: Manual C – g'''                 Pedal C – f''

Koppeln:     II – I ,     Sub. II - I        I – Ped. ,          II – Ped. ,          Sup. Ped.

Die Register mit einem * wurden aus dem I. Manual entliehen und als Wechselschleife gebaut.

Der Tremulant wirkt auf beide Manuale.

Außer dem Prinzipal 8' stehen sämtliche übrigen Register in einem Schwellkasten was die Verwendbarkeit der gesamten Orgel weiter erhöht.

The organ has been inaugurated in May, 2006.